Cast revealed for A Chorus Line musical UK tour
Casting has been announced for the UK tour of Curve Leicester’s production of A Chorus Line.
The production, which was originally staged at Curve, Leicester in Christmas 2021 will return in 2024, playing at Curve from 28 June to 13 July before a summer run at Sadler’s Wells from 31 July to 25 August and a UK Tour.
The UK tour will visit The Lowry in Salford 23 to 27 July, Norwich Theatre Royal 27 to 31 August, The Marlowe in Canterbury 2 to 7 September, Birmingham Hippodrome 10 to 14 September, New Theatre, Cardiff, 16 to 21 September, Edinburgh Festival Theatre 24 to 28 September and Wycombe Swan 30 September – 5 October.
Reprising their roles from the 2021 run will be Adam Cooper as Zach and Carly Mercedes Dyer as Cassie.
Joining them will be Jocasta Almgill as Diana Morales, Lydia Bannister as Bebe Benzenheimer, Bradley Delarosbel as Gregory Gardner, Archie Durrant as Mark Anthony, Joshua Lay as Al Deluca, Katie Lee as Kristine Urich, Mireia Mambo as Richie Walters, Kanako Nakano as Judy Turner (and cover Connie Wong), Manuel Pacific as Paul San Marco, Ashley-Jordon Packer as Larry (and cover Paul San Marco), Kate Parr as Maggie Winslow, Rachel Jayne Picar as Connie Wong, Redmand Rance as Mike Costa, Chloe Saunders as Val Clarke, Toby Seddon as Bobby Mills, Amy Thornton as Shelia Bryant and Louie Wood as Don Kerr.
The cast is completed by ensemble members Yuki Abe (cover Kristine Urich and Judy Turner), Fin Adams (cover Mark Anthony and Mike Costa), Katrina Dix (cover Sheila Bryant and Bebe Benzenheimer), Imogen Rose Hart (cover Diana Morales, Maggie Winslow and Richie Walters), Laura Hills (cover Cassie and Val Clarke), Josh Kiernan (cover Bobby Mills and Gregory Gardner) and Joshua Steel (cover Don Kerr and Al Deluca).
This production is directed by Curve’s Artistic Director Nikolai Foster (West Side Story, Billy Elliot the Musical, Curve) and choreographed by Ellen Kane (Matilda the Musical, Netflix, Legally Blonde, Regent’s Park Open Air Theatre) with set design by Grace Smart (Hamlet, The Globe), costume design by Edd Lindley (Billy Elliot the Musical, Curve), lighting design by Howard Hudson (& Juliet, Broadway, West End, Australia) and sound design by Tom Marshall (Grease, Dominion Theatre). The show’s orchestra will be supported by music licensing company, PPL.
Seventeen stories. Eight chances. One singular sensation New York City. 1975. On an empty Broadway stage, seventeen performers are put through their paces in the final, gruelling audition for a new Broadway musical. Only eight will make the cut. A Chorus Line is a musical masterpiece that revolutionised Broadway, with creator Michael Bennett using real-life testimonies from late-night recording sessions with dancers.
Celebrate the lives of theatre’s unsung heroes, as they tell searing stories of ambition, shattered hopes, and what it really costs to follow your dreams. Directed by Nikolai Foster, with a book by James Kirkwood and Nicholas Dante, music by Marvin Hamlisch and lyrics by Edward Kleban, A Chorus Line features iconic songs including One, I Hope I Get It, Nothing and the hit ballad What I Did For Love. Join us next summer for sensational choreography, heart-wrenching personal stories and musical theatre’s most unforgettable finale.
Curve’s Chief Executive Chris Stafford and Artistic Director Nikolai Foster said: “Working on A Chorus Line in 2021 at Curve was one of those once in a lifetime moments, and to have another opportunity to re-visit our acclaimed production and share it with a wider audience is something we could never have dreamed of.
“All great shows need exceptional new artists to reinterpret them for the generation to enjoy and in Ellen Kane’s world class choreography, Michael Bennett’s extraordinary piece is invigorated through Ellen’s sensational work. Being able to share this production with audiences in Leicester once more, ahead of visiting the home of dance Sadler’s Wells and then on tour across the UK, reuniting Carly Mercedes Dyer as Cassie and Adam Cooper as Zach is the icing on the cake.”
