Natalie May Paris to star in No Limits – A Song Cycle at the Turbine Theatre

Natalie May Paris is to star in No Limits – A Song Cycle at the Turbine Theatre in 2023.

The star of Six will perform in the new production at the London venue from 15 – 26 February.

Paris will play the role of #DREAMER in the piece, written by Sam Thomas of Paper House Productions and directed by Dean Johnson (BKLYN, LIFT).

Natalie May Paris said: “I am so looking forward to being a part of No Limits, and to have the pleasure of singing the beautiful ‘Every girl needs a mother’ again will be an absolute joy!”

No Limits creative team also includes musical direction by Ella Ingram (Kipps: the new Half a Sixpence Musical, Bob Hope Theatre, Curtain Up, Albany Theatre) and Movement direction by Rhys Wilkinson (currently performing in &Juliet).

No Limits – A Song Cycle deconstructs the concept of falling behind in life. It follows a diverse cast of characters from all walks of life as they dare to believe in themselves and strive for a brighter future.

This powerful collection of songs sees characters let go of their anxieties, take leaps of faith, and fight for who they truly are, from confessing their dreams of becoming a rockstar to catfishing their attractive neighbour.

No Limits – A Song Cycle features heartfelt and queer stories. This brand-new production emphasises that we are all in the same boat, and that with enough self-belief, we can always overcome our setbacks. There truly are No Limits to your journey.

Dean Johnson, director said: “No Limits is a contemporary song cycle which opens up a box of stories through a series of sung vignettes, each describing that universal feeling of breaking through barriers in our lives.

“Sam Thomas’s compositions feel somehow both innovative and familiar, which is very exciting, so we can’t wait to explore a fresh approach to the format and share it with everyone at The Turbine in February.”

For more information and tickets, visit www.theturbinetheatre.com

About the author: Josh Darvill

Josh is Stageberry's editor with over five years of experience writing about theatre in the West End and across the UK. Prior to following his passion for musicals, he worked for more than a decade as a TV journalist.

 

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