Cast and creatives announced for new gig theatre show Snakehead at The Hope Theatre

Cast and creatives have been revealed for new show Snakehead at The Hope Theatre.

A high-volume piece of gig-theatre re-examining the Medusa myth, Snakehead runs at the London venue from 6 – 24 June as part of its new summer season.

The in-house production is written by Samuel Rees (Where is Ban Ki-moon?, Camden People’s Theatre; Why Worms Live When Split in Two, Oxford Playhouse) and features a soundtrack by composer Max Welton (Theatre Royal BSE, Spinning Wheel Theatre). It is produced by Deputy Artistic Director Ella Dale (The Moors, The Hope Theatre; Past Life, UK Tour).

Sian Maxwell (The Sea, National Theatre Studios; Worlds Apart in War; Theatr Clwyd) will play Medusa and completes the company.

Throughout history, Medusa has been given a rough ride. She is presented as either grotesque monster or seductive temptress, what men fear or what turns them on. Now she’s here to tell you what actually happened, sing some songs and set the record straight.

Snakehead features an exhilarating new soundtrack by composer Max Welton, which blends dark post-punk, explosive electronica, and vibrant contemporary pop to create an unforgettable immersive experience. From writer Samuel Rees, this energetic, heartfelt production examines issues around consent and accountability, class and the male gaze, and asks how exactly we decide who the monster really is.

Phil Bartlett, Artistic Director of The Hope Theatre, said: “At the Hope we’re always on the look-out for gripping stories that come with inventive staging, a bit of punky swagger, and plenty to say to audiences, and Snakehead ticks all these boxes. Max Welton’s music, Sam Rees’ script, and Sian Maxwell’s performance are going to unite to produce something special. Join us at the Hope for an unforgettable night out!”

For more information and tickets, visit thehopetheatre.com

About the author: Josh Darvill

Josh is Stageberry's editor with over five years of experience writing about theatre in the West End and across the UK. Prior to following his passion for musicals, he worked for more than a decade as a TV journalist.

 

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