Ockham’s Razor to tour new outdoor performance Public this summer

Ockham’s Razor is to tour a new free outdoor performance called Public this summer.

The renowned circus company will take the piece, which explores the use and ownership of public space, on tour from 7 May to 20 August 2022.

The performances, starting at The Lowry, Salford, will be free and non-ticketed.

Urban public space has become increasingly overwhelmed by corporations, from privately owned shopping centres to transport hubs. In this privatised, built-up landscape, there is less and less space for young people to take up public space. Play becomes a risky and subversive act. Public will see the company respond to and move through the area they perform in – using the architecture of the buildings and street furniture as the world around them becomes their set.

Incorporating parkour, acrobatics, break dancing and folk and contemporary styles, the company will create a reality where they are unbridled and able to be without guard in a public arena. At the end of the show in each location, the company will unite together and Public will culminate in a final mass dance that anyone can join. The choreography will be shared on TikTok and YouTube to local community and youth groups beforehand.

This latest production from Ockham’s Razor is produced by Turtle Key Arts, in partnership with the National Centre for Circus Arts, and brings together composer Max Reinhardt (Oily Cart; Late Junction, BBC Radio 3); jazz musician Sarathy Korwar, who has collaborated with Kamasi Washington and Shabaka Hutchings and released music with Ninja Tune and The Leaf Label; and designer Tina Bicat, winner of The Critics’ Theatre Award for her work with Punchdrunk.

Choreography comes from Joel Daniel with costume design by Tina Bicat.

For more information on the tour and dates, visit www.ockhamsrazor.co.uk

Charlotte Mooney, Artistic Director of Ockham’s Razor, said: “There is a rich tradition of dancing as a form of protest – in England, folk dance was used by agrarian workers as a way to take up public space to claim their rights and as an exhibition of power. More recently, dance has been used as part of protest across the US.

“Public looks at different forms of dance from communal folk to more vulnerable individual expression and movement, such as parkour and breaking, that can be seen as transgressive. It looks at dance as empowerment and asks who belongs in public space and what do we want our communal space to be for?”

About the author: Josh Darvill

Josh is Stageberry's editor with over five years of experience writing about theatre in the West End and across the UK. Prior to following his passion for musicals, he worked for more than a decade as a TV journalist.


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