Invisible Me: Life begins at 60 in new comedy drama play from Bren Gosling

New comedy drama play Invisible Me will run at the Studio at New Wimbledon Theatre this September.

Sexual adventurism comes to the forefront in the piece by Bren Gosling (Moment of Grace, The Actors Centre; PROUD, Studio at New Wimbledon Theatre).

The production will bring together the talents of Debbie Christie (Bette and Joan, Wokingham Theatre; Mogg’s War, Old Red Lion Theatre), Andrew Fettes (The Red Lion, The Capitol Horsham; Death and the Maiden, tour) and Philip Gill (Red Skies, East Anglia tour; Sketches, Union Theatre) to tell the story of three sexually adventurous sexagenarians.

A teaser shares:

Three Londoners on the cusp of their seventh decade thwart loneliness and sexual isolation by embracing a new lease of life, showing there’s fun to be had if you release your inhibitions.

Three very different individuals are united by sex: Lynn, a hotel cleaner, lives alone in her mother’s house; Jack, an HIV+ recent widower, struggles with the concept of digital dating; and Alec, a divorcee with an identity crisis, clutches at his youth. But despite their hardships there’s a prevailing message of optimism to be found in the most unlikely of situations. Invisible Me explores the under-represented stories of older singles in London.

This dramatic comedy seeks to open the doors on the inner workings of singledom as a sexagenarian.

Invisible Me is a thought-provoking insight into the human condition and our need for connection, highlighting how we entwine with others on an emotional and physical level.

Directed by Su Gilroy (Moment of Grace, Bloomsbury Festival; Gaslight, Wolverhampton Grand Theatre), Invisible Me runs at Studio at New Wimbledon Theatre, Friday, 3 September to Saturday, 11 September 2021 with tickets available online here.

Writer Bren Gosling commented: “I’m excited for audiences to witness the stories of these three compelling individuals, lifting the lid on sex and singledom in your sixties! Invisible Me is a play full of hope, not despair.

“I want to make people think about the diverse identities of the older people around us – there’s a generation out there still seizing life with lust and vigour, they don’t deserve to be invisible. “

About the author: Josh Darvill

Josh is Stageberry's editor with over five years of experience writing about theatre in the West End and across the UK. Prior to following his passion for musicals, he worked for more than a decade as a TV journalist.


Follow us